7 Movies That Were Booed At The Cannes Film Festival
Aren't all movies booed at Cannes? From Mental Floss.
While Quentin Tarantino’s sophomore effort Pulp Fiction didn’t get booed immediately after it premiered at the 47th Cannes Film Festival in 1994, it did receive a tidal wave of jeers when it received the festival’s highest prize, the Palme d’Or. Some audience members felt that Krzysztof Kieślowski’s final film Three Colors: Red should’ve won the prestigious award instead.
In 2006, Sofia Coppola’s take on French history received an extremely negative reaction from Cannes audiences. The director was unaware of how audiences vocally react to movies in France. "I didn't know about the boos—it's news to me," she told USA Today. "But it's better than a mediocre response."
Believe it or not, Martin Scorsese’s Taxi Driver received a largely negative reaction when it premiered at Cannes in 1976; audiences didn't like the film’s violence, nihilistic point of view, and unsavory anti-hero. The film was booed when it was given the Palme d’Or, but Scorsese wasn't there to hear it: He was back in New York City with Taxi Driver's lead, Robert De Niro, working on the musical New York, New York.
THE BROWN BUNNY
Director Vincent Gallo’s The Brown Bunny was notoriously booed and jeered for its monotonous tone and explicit sex scene during the 2003 Cannes Film Festival. Film critic Roger Ebert said the experience was “one of the most disastrous screenings I had ever attended.” The response out of Cannes was so destructive that Gallo vowed never to make a movie again. He added, “It was never my intention to make a pretentious film, a self-indulgent film, a useless film, an unengaging film."
Quentin Tarantino was lightly booed at the Cannes Film Festival for Pulp Fiction in 1994, and the director later received contempt for his World War II-era film Inglourious Basterds. Some audience members and critics took issue with Tarantino’s revisionist approach to World War II, while other felt that the film was too silly and self-indulgent for the festival.
TWIN PEAKS: FIRE WALK WITH ME
David Lynch’s follow-up to his wildly popular TV series was met with unrelenting boos at Cannes in 1992. There were reportedly plenty of walkouts and much vocal mocking during its premiere screening.
In 2009, Ang Lee released Taking Woodstock, a film that followed a family-run motel in the sleepy town of White Lake—which sits just outside of Woodstock, New York—during the famous music festival. The film received a spattering of boos during the 62nd Cannes Film Festival and is considered a low point in Lee's otherwise impressive career.